Wednesday, April 30, 2014

After Her

Shout out - looks good and staying on my TBR pile until I can get to it!  I want to know how she ruined her Father's career trying to solve this on her own...........

After Her
Joyce Maynard
Paperback: 336 pages
Publisher: William Morrow Paperbacks; Reprint edition (April 22, 2014)

Book Description:
Marin County, California, summer, 1979. When young women start turning up dead on the mountain behind the home of Rachel and her devoted eleven-year-old sister, Patty, their father—a larger-than-life, irresistibly handsome (and chronically unfaithful) detective—is put in charge of finding the "Sunset Strangler." Watching her father's life slowly unravel as months pass and more women are killed, Rachel embarks on a dangerous game to catch the killer. Her actions will destroy her father's career and alter forever the lives of everyone she loves. Thirty years later, believing that the wrong man was arrested for the crimes, leaving the true killer at large, Rachel constructs a new strategy to smoke out the Sunset Strangler and vindicate her father—and discovers more than she bargained for.

Loosely inspired by the Trailside Killer case, After Her is part thriller, part love story—a poignant, suspenseful, and painfully real family saga that traces a young girl's first sexual explorations, the loss of innocence, the bond shared by sisters, and the tender but damaged relationship between a girl and her father that endures even beyond the grave.

Silence for the Dead

Idgie Says:
A perfect beach read.  I enjoyed the setting and place-in-time.  This book is an easy read with all the necessities for keeping your interest - suspense, intrigue, love interest and a supernatural threat hovering around. Who will survive? What's the secret?  What's Kitty's secret and what will happen when those she cares about finds out? 

Grab it, enjoy it and forget the rest of the world for a while. 

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Silence For The Dead
Simone St. James
Paperback: 384 pages
Publisher: NAL Trade (April 1, 2014)

 General fiction, suspense, supernatural

 “Portis House emerged from the fog as we approached, showing itself slowly as a long, low shadow....”

In 1919, Kitty Weekes, pretty, resourceful, and on the run, falsifies her background to obtain a nursing position at Portis House, a remote hospital for soldiers left shell-shocked by the horrors of the Great War. Hiding the shame of their mental instability in what was once a magnificent private estate, the patients suffer from nervous attacks and tormenting dreams. But something more is going on at Portis House—its plaster is crumbling, its plumbing makes eerie noises, and strange breaths of cold waft through the empty rooms. It’s known that the former occupants left abruptly, but where did they go? And why do the patients all seem to share the same nightmare, one so horrific that they dare not speak of it?

Kitty finds a dangerous ally in Jack Yates, an inmate who may be a war hero, a madman… or maybe both. But even as Kitty and Jack create a secret, intimate alliance to uncover the truth, disturbing revelations suggest the presence of powerful spectral forces. And when a medical catastrophe leaves them even more isolated, they must battle the menace on their own, caught in the heart of a mystery that could destroy them both.

Tuesday, April 29, 2014

Romeo

Romeo
By Jane-Ann Heitmueller
 
 
   Nearly four years ago when we purchased him at the local auction, we had high hopes that the handsome, young bull would be healthy, hearty and have a strong desire to procreate.   None of our “ladies” had produced a calf in a while. Perhaps some new stock would get things moving in that department. We named him Romeo, feeling certain we would soon be adding several newborn calves to our small herd.
 
  Although the solid black, six month old was quite an impressive sight to behold as he bounded regally from the cattle trailer into the pasture that  warm spring afternoon, the “girls” continued to placidly graze on the fresh green shoots, hardly acknowledging the impressive stranger at all. Not even the bright yellow sale tag in his ear attracted their attention. We, on the other hand, were quite taken with him as we watched him strut around with his head held high, curiously observing his new domain. Yes sir, this fellow was going to be exactly what we had hoped for to handle the task at hand.
 
  We waited patiently, and in due time two beautiful, perfect calves arrived. It’s been two years now and there have been no more births. We’ve begun to wonder if maybe it was a bad decision to purchase this young bull. Apparently, Romeo’s lack of procreation has been replaced by his ability as a comedian or demolition expert. We have come to the conclusion that he is simply a typical mischievous, bored, teenage boy whose major daily activity lies in amusing himself with fun and frolic.
 
  We first noticed Romeo’s strange temperament the day I heard repeated banging sounds coming from the lower pasture. When I went to investigate, I could hardly believe my eyes. There was Romeo… happily butting his head against the metal hay trailer tailgate, causing it to repeatedly lift and fall with a thunderous boom, boom,  boom! I almost imagined I could detect a grin on his face and am certain I saw a sparkle in those big brown eyes of his. He was having a grand time and kept at his mischief for over a half hour.
 
   A few weeks later he rolled two 250 gallon metal barrels down the hill from the pasture to the creek bed below.  Next thing we knew, he was pushing a five foot tall round bale of hay back and forth across the pasture, as well as tumbling around a 200 pound protein bucket as if it were a beach ball. He’s scattered sheets of tin, plows, metal scoops and a fertilizer spreader. It seems that Romeo had created his own private amusement park.
 
  Another fact that makes us wonder if Romeo will ever grow up is his voice.  It has yet to go through the normal transition from youngster to man. As most bulls mature they develop a strong, deep bellow. Our Romeo still sounds like a young girl, which is rather pathetic coming from the mouth of such a magnificent looking creature.
 
  We’ve had several memorable cattle over the years, but Romeo certainly tops the list as the most unusual. Maybe we should have taken a clue from the cows the day he arrived, when they ignored him,   wanting nothing to do with him. Has time  now come for him to share his talents elsewhere? If you are in need of an entertaining bull, rather than a prolific one, please feel free to let us know. We’ll make you a good deal on Romeo and give you a written guarantee that you’ll enjoy hours of laughter from his daily antics.
 

The One Safe Place



jacket image for The One Safe PlaceThe One Safe Place
Published by Algonquin Books
April 29, 2014
Middle School Fiction
Idgie Says:
The publisher is right on the dot with the age group this time - it's a perfect middle school age novel. (Many of YA books are "aged" incorrectly in my opinion.) There is no sexual tension in this book, and while the children are on their own, they are clearly not hardened or overly experienced. It was a nice quick read that didn't slow the pace enough to let a young reader lose interest.  I actually very much liked the ending and it can easily remain "the end" or it can clear the way into another book. 

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about The One Safe Place

In this near-future dystopia with echoes of The Giver and Among the Hidden, Tania Unsworth has created an unsettling page-turner—fast-paced, smooth, filled with dread—that’s wholly satisfying and startlingly original.

Devin doesn’t remember life before the world got hot; he has grown up farming the scorched earth with his grandfather in their remote valley. When his grandfather dies, Devin heads for the city. Once there, among the stark glass buildings, he finds scores of children, just like him, living alone on the streets. They tell him rumors of a place for abandoned children, with unlimited food and toys and the hope of finding a new family. But only the luckiest get there.

An act of kindness earns Devin an invitation to the home, but it’s soon clear that it’s no paradise. As Devin investigates the intimidating administrator and the zombie-like sickness that afflicts some children, he discovers the home’s horrific true mission. The only real hope is escape, but the place is as secure as a fortress.

Fans of dystopian fiction and spine-chilling adventure will devour The One Safe Place; its haunting themes will resonate long after readers have turned the final page.

about Tania Unsworth

TANIA UNSWORTH, the daughter of the late Barry Unsworth, spent her childhood in Cambridge, UK. She currently lives in Boston, Massachusetts, with her husband and two sons. This is her first book for young readers.
In this near-future dystopia with echoes of The Giver and Among the Hidden, Tania Unsworth has created an unsettling page-turner—fast-paced and filled with dreadthats wholly satisfying and startlingly original. 
Devin doesn’t remember life before the world got hot; he has grown up farming the scorched earth with his grandfather in their remote valley. When his grandfather dies, Devin heads for the city. Once there, among the stark glass buildings, he finds scores of children, just like him, living alone on the streets. They tell him rumors of a place for abandoned children, with unlimited food and toys and the hope of finding a new family. But only the luckiest get there.
An act of kindness earns Devin an invitation to the home, but its soon clear that its no paradise. As Devin investigates the intimidating administrator and the zombie-like sickness that afflicts some children, he discovers the home’s horrific true mission. The only real hope is escape, but the place is as secure as a fortress.
Fans of dystopian fiction and spine-chilling adventure will devour The One Safe Place; its haunting themes will resonate long after readers have turned the final page.
- See more at: http://www.algonquinyoungreaders.com/book/the-one-safe-place/#sthash.qHvrUGh3.dpuf




In this near-future dystopia with echoes of The Giver and Among the Hidden, Tania Unsworth has created an unsettling page-turner—fast-paced and filled with dreadthats wholly satisfying and startlingly original. 
Devin doesn’t remember life before the world got hot; he has grown up farming the scorched earth with his grandfather in their remote valley. When his grandfather dies, Devin heads for the city. Once there, among the stark glass buildings, he finds scores of children, just like him, living alone on the streets. They tell him rumors of a place for abandoned children, with unlimited food and toys and the hope of finding a new family. But only the luckiest get there.
An act of kindness earns Devin an invitation to the home, but its soon clear that its no paradise. As Devin investigates the intimidating administrator and the zombie-like sickness that afflicts some children, he discovers the home’s horrific true mission. The only real hope is escape, but the place is as secure as a fortress.
Fans of dystopian fiction and spine-chilling adventure will devour The One Safe Place; its haunting themes will resonate long after readers have turned the final page.
- See more at: http://www.algonquinyoungreaders.com/book/the-one-safe-place/#sthash.qHvrUGh3.dpuf




In this near-future dystopia with echoes of The Giver and Among the Hidden, Tania Unsworth has created an unsettling page-turner—fast-paced and filled with dreadthats wholly satisfying and startlingly original. 
Devin doesn’t remember life before the world got hot; he has grown up farming the scorched earth with his grandfather in their remote valley. When his grandfather dies, Devin heads for the city. Once there, among the stark glass buildings, he finds scores of children, just like him, living alone on the streets. They tell him rumors of a place for abandoned children, with unlimited food and toys and the hope of finding a new family. But only the luckiest get there.
An act of kindness earns Devin an invitation to the home, but its soon clear that its no paradise. As Devin investigates the intimidating administrator and the zombie-like sickness that afflicts some children, he discovers the home’s horrific true mission. The only real hope is escape, but the place is as secure as a fortress.
Fans of dystopian fiction and spine-chilling adventure will devour The One Safe Place; its haunting themes will resonate long after readers have turned the final page.
- See more at: http://www.algonquinyoungreaders.com/book/the-one-safe-place/#sthash.qHvrUGh3.dpuf

House of Jaguar



Not a book review - but a Shout Out and Excerpt for those readers who might enjoy this war story.

http://luxuryreading.com/wp-content/uploads/2014/04/download-11.jpg_____________________________________ 

HOUSE OF JAGUAR
By Mike Bond
Mandevilla Press; April 1, 2014
$15.99; 388 pages
ISBN: 978-1-62704-010-5


Book Description:
Shot down over the jungle with a planeload of marijuana, Vietnam War hero Joe Murphy gets caught up in the brutal Guatemalan Civil War when he witnesses an attack on a Mayan village by the Guatemalan Army and its CIA “advisors.”  Badly injured, he escapes on a nightmare trek through the jungle, hunted by the Army, the CIA, and death squads.
 
Healed by guerrilla doctor Dona Villalobos, he falls in love with her and tries to save her from the war’s widening horror of insanity, tragedy and death. Caught in the crucible of violence and love, he learns the peaks and depths the human heart can reach, and what humans will do for, and to, each other.

HOUSE OF JAGUAR is based on Bond’s own experiences as a war and human rights correspondent in Guatemala during a peak of violence in the country’s civil war. During his time there, he illegally traveled back and forth from Belize to report on the government-sponsored genocide, while narrowly avoiding the death squads and the army that had killed more than 150 other journalists and more than 200,000 civilians.


MIKE BOND has been called the “master of the existential thriller” by the BBC and “one of the 21st century’s most exciting authors” by the Washington Times. He is a bestselling novelist, environmental activist, international energy expert, war and human rights correspondent and award-winning poet who has lived and worked in many remote, dangerous parts of the world. His critically acclaimed novels depict the innate hunger of the human heart for what is good, the intense joys of love, the terror and fury of battle, the sinister conspiracies of international politics and multinational corporations, and the beauty of the vanishing natural world.





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Excerpt from
HOUSE OF JAGUAR
by Mike Bond

THE MOSQUITO hovered, settled on his cheek; the soldier raised a hand and squashed it, his rifle clinking on his cartridge belt. “Silencio!” hissed the captain. Another mosquito landed, another; the soldier let them bite.
From far away, beyond the wail of mosquitoes and the incessant chirr of nighthawks, came the snarl of an engine. “Positions!” the captain whispered. One by one the soldiers squirmed forward through wet grass to the jungle’s edge, where the road glistened before them under the rising half moon.
The engine noise came closer, a truck grinding uphill round a curve. The curve coming out of Machaquilá, the soldier decided. Not long now. He fiddled with a scrap of electrical tape wrapping the magazine of his Galil. Wings swishing, an owl hunted over the road.
They won’t be expecting us, he told himself. They won’t be ready and we can kill them quickly and there will be no danger. The truck neared; he tasted bile in the back of his throat; his hands were numb with cold. If you don’t shoot they won’t see your rifle flash and won’t shoot at you.
A beacon steadied on the treetops, fell on the road before him. A single headlight, the truck’s, was coming up the road. He chewed his lip and blinked his eyes to chase away mosquitoes, rubbed his bitten wrist on the breech of his rifle. But if you fire fast and hard you’ll help make sure they die at once and then they can’t fire back.
The truck clattered closer, its headlight jiggling. Everyone will be shooting for the cab, the soldier told himself, so you must shoot into the back. “Hold your fire,” the captain called. Transmission wailing, stockboards rattling, the truck rumbled past and disappeared into the night, just another cattle truck driven too many thousands of miles over bad roads on bad gas. “Silencio,” the captain said. From the jungle a howler monkey screamed like a dying child.

THE AZTEC eased down through five hundred feet, the jungle sliding under the wing like the floor of an immense dark sea. “I hate it when you do this,” Johnny Dio said. “Reminds me of that joke about the secret to safe flying is to avoid the ground.”
Murphy trimmed one aileron, watched the altimeter till it steadied at four hundred, the plane bouncing and banging on rising waves of jungle heat. “It’s so flat here there’s nothing to fear, except the pyramids at Coba.” He slapped Johnny’s knee. “And they’re probably east of us.”
“Screw you, Murph. You know exactly where they are.”
“Unless the Mayans’ve built a new one since we were here last.”
“There could be some kind of goddamn radio tower, TV antenna . . . Even a big tree.”
“That’s why we watch out. You and me.”
“It’s so dark I can’t see a goddamn thing.”
“Just as well. You’ll never know what hit you -”
“Will you cut it out!” Johnny Dio shifted in his seat, fingers drumming his knee, his face glistening in the yellow instrument lights.
“The way you don’t like this, Johnny, you should let me do it alone.”
“My gig,” Johnny sighed. “My money.”
“Mine too,” Murphy said softly, and saw Johnny smile at himself, as if for worrying. That if you had to be doing this, Murph was the one to be doing it with.
“You’re right,” Johnny said, “to be packing it in.”
Murphy stretched, rubbing his back against the seat. “It’s just habit, now. Got all the creature comforts I want.”
“You don’t do it for money, Murph. It’s because you don’t have anything else.”
The glimmer of Chetumal began to bloom to the south; Orion was sinking into the west, Scorpio riding a half moon in the east, the Yucatán below darker than a midnight sea, and the stars shone above like city lights. Murphy rubbed his face, liking the raspy stubble sound, closed his eyes and massaged them with his fingertips, still seeing the instrument panel as if he could watch it directly from his brain, thinking of the lobsters he and Johnny had eaten in Merida - he shouldn’t have harassed the man because they were small – “estan cubanas,” the man had explained. And Tecates. When this was over he was going to come back down to dive, sit on the veranda and drink Tecates, lime and Tecates. He notched the yoke forward, the engine’s pitch deepening in the soggy air, the altimeter sliding down to three hundred, two hundred and fifty. Light widened in the southeast. “Corozal,” he said. “Going under the radar.”
“I swear you like it,” Johnny sighed. “You like this shit.”
The jungle reached up, solid rolling waves of canopies with taller bare ceibas clawing up like drowned skeletons, down to two hundred feet, one hundred and eighty, tipping the wings now between the tallest trees. “One time in high school,” Murphy said, “I was in a class play. Only had to say one word: ‘No’. Can you imagine, I blew it? I got so afraid I’d say ‘Yes’ by mistake, that when the time came I couldn’t remember which it was and said ‘Yes’? Screwed the whole thing up. Or maybe I was supposed to say ‘Yes’ but said ‘No.’ Can’t remember.”
“You’re not the brightest bulb in the box, Murph. Always told you that.”
A great black serpent slithered under the wing, sparkling with starlight. “Río Hondo,” Murphy said. “We’re back in Guatemala.”
“When we get out this time,” Johnny said, “I’m going to bag it too.”
“Figured you were.”
“I really like being with Sarah. She’s easy, she’s amazing. She loves me.”
“All that counts.”
“I really miss the kids, Murph. You were lucky, when you and Pam split, you didn’t have kids.”
“Don’t know what I would’ve done. What’s Diana say?”
“She won’t give them up, but if Sarah and I get married, she’ll let me have more visitations.”
“Fuckin’ world,” Murphy said. The engines steadied, almost hypnotic, the jungle drifting closer, as if the Aztec hung suspended over the slowly spinning globe. Ahead the land steepened into towering ridges of black stone with jungle on their crests. Deeper into a box canyon the plane droned, its echo bouncing off the cliffs that narrowed toward its wingtips. An end wall of vertical stone hurtled toward them; at the last second Murphy slid back the yoke, powered the throttles, and the nose lifted and the saddle swept beneath them and they floated easily into a wide valley under a bowl of stars.
“Fuckin’ cowboy,” Johnny said.

SEVERAL TRUCKS were coming. Not from Machaquilá, but the south. The soldier wiped dew from his barrel with his hand, took a breath and held it, hearing his heart.
Lights brushed the pine tops and darted down the road. Headlights glinted round a curve – two trucks coming fast. The first roared past, a dark Bronco with orange roof lights. Then a Ford pickup with a camper top passed the soldiers, halted and backed off the road onto the shoulder. Two men got out and began to unload something from the back.
Half a mile down the road the Bronco’s brake lights flashed as it stopped and turned. One of the men at the pickup stood with a flaring lantern and began to pull crates from the back. From each crate he took another lantern and lit it.
The men placed a lantern on each side of the road. They ran up the road, stopping in front of the soldiers to drop off a second pair of lanterns, and turned back down the road toward the Bronco with the other lanterns. The Bronco was moving closer; it, too, was dropping off pairs of lanterns.

“DOWN THERE’S Xultún,” Murphy said. “A whole Mayan city - temples, schools, farms, observatories - all drowned in the bush.”
The jungle had flattened, tilting west from the Pine Ridge mountains toward the black defiles of the Río de la Pasión. “Suppose the Mayans knew?” Johnny said. “That it’d die someday, their civilization?”
“Maybe they were smarter than we are . . .”
Johnny laughed. “Can’t lose what you ain’t got.”
“Radar again.” Murphy dropped lower, skimming the trees, slid back the mini-window and the engine roar bounced up at him from the treetops. Little spots danced before his eyes, circles with black centers like the fuselage markings on British bombers. “Petén highway,” he said, nudging the rudder to swing southwest along a narrow dirt road.
“There was a guy,” he said, “in one of their myths, named Utzíl. He got tired of staying home so he wandered south through the desert, found an alligator dying of thirst and carried him on his back to a lake, went on to his enemies’ lands and fell in love with the king’s daughter.”
“Kind of thing you’d do.”
“The king’s soldiers chased the two of them all the way back to the lake. He hid the girl in a cave and the alligator appeared and carried him on his back across the lake so he could get help.”
“Would you watch that fuckin’’ tree!”
“It was five feet under the wing! You want to fly higher, so the radar picks us up and we get A37s all over our ass?”
“So what happened,” Johnny said, after a minute, “to the girl?”
“When they got back the girl had died and he threw himself off a cliff into the water. Lake Atitlán it was, southwest of here . . .”
Black pastures and tin-thatched roofs flitted under the wing, hearth smoke smudging the stars, the distant starboard glimmer of Dolores, the town named Sorrows; he swung west of the road to miss the Army outpost then SSE back over the road at Machaquilá, an Indian name for all Indian things lost, with its wan lamps and vacant streets, a sawmill and scattered tree corpses, the unfinished church gaping like a broken skull, the barracks school by the zipping road; and he banked right, then left, into the cleft beneath the two steep hills that always seemed like tits, ziggurats, like the temples of Tikal, air rushing like a river over the plane’s skin.
No shear now, he prayed, no crosswinds. The yoke was hot, vibrating in his palm, sweat tickling his ribs. He checked the landing gear: all down. “There they are!” Johnny said. Murphy eased the engine into low pitch, dropped the flaps, notched back the throttles, lifting the nose, and flared in a near stall down through the trees toward two rows of lanterns with the rutted road between them.